ENTRE IMAGENS ABANDONOS

Sonho e criação de mundos urbanos possíveis

Abstract

This essay reflects on abandonment, based on photographic records of a vulnerable situation. The focus is on the relationship between precariousness and the right to urban life. As a method of approach, we use montage, from Georges Didi-Huberman's perspective. The objective of this article is to unfold, among images, the sense of abandonment. On one hand, as a register and denunciation by the one who is outside the problem, on the other hand, as a dream and a real possibility of a new perspective of inclusion, by the one who is inside. It is about: (i) focusing on the precariousness of life, from a representation from reality by the architect; (ii) positioning the right to the city as a will to create and a dream of existence by the homeless. It is hoped to position the problem of abandonment between an aesthetic and political sphere as an opening to other possible urban meanings.